Alexander Technique

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The Alexander Technique is an approach for the self-prevention of unhelpful or harmful habits that interfere with the mental and physical conditions best suited for the health and functioning of the individual as a whole. Learning to inhibit one's "too quick and unthinking reactions" and to maintain openness and balance as we go about our daily activities can have wide-ranging benefits. The various teaching methods used to teach the Technique (which include hands-on guidance by the teacher) are also referred to as the Alexander Technique.

The Alexander Technique is usually learned from individual lessons with a teacher using specialized hand contact and verbal instructions. The Technique is also taught in groups, often using short individual lessons which in turn act as examples to the rest of the class.[1] The Technique takes its name from F. Matthias Alexander, who first observed and formulated its principles between 1890 and 1900.[2]

Contents

[edit] History

Frederick Matthias Alexander was a Shakespearean orator who developed problems with losing his voice. After doctors informed him there was no physical cause, he carefully observed himself in multiple mirrors. This revealed that he was needlessly stiffening his whole body in preparation to recite or speak. Further, Alexander observed that many individuals experiencing voice problems tightened the musculature of the upper torso, especially the neck, prior to phonation in anticipation of the act of voicing; he suggested that this pattern of tensing would rotate the head backwards and downwards in relationship to the spine and disrupt efficient overall body alignment. Over the next eight years, he attempted to change this habit, after which point, he found that the pattern of voice loss had ceased.

Alexander believed the empirical scientific method, self-observation and reasoning could be used to ease the physical performance of any movement: sitting, standing, walking, using the hands and speaking. He recorded his methods so as to make experimentation and training repeatable. He also trained educators of his technique mainly while living in London, UK from 1931 until his death in 1955, except for the wartime period between 1941 to 1943 which was spent teaching with his brother Albert Redden Alexander (1874–1947) in Massachusetts, USA.

[edit] The Technique

[edit] Basic Premises

The Alexander Technique is learned in order to overcome unwanted physical habits by studying the kinesthetic evidence of how thinking is expressed in movement. The values of efficiency and effortlessness are the preferred criteria used to evaluate the often unfamiliar results of progress gained through guided experimentation. Among the methods taught are established forms of structural anatomy, characteristics of proprioception, how habits may be stopped, refined and well-formed, practical self-observation and the strategic use of empirical reasoning. This study may also demand re-evaluation of self-limiting assumptions, previous choices and conclusions that the Alexander Technique teachers believe keep in place a student's general misuse. The Alexander Technique is considered to be an educational technique taught to be practiced by the student on their own, rather than a curative treatment regimen of the client/patient relationship. It is designed to be used while doing any other activity, so there are no prescriptive forms of movements to follow.

Each of these methods is reflected in special terms of F.M. Alexander's. These ideas are taught as seamless discoveries of easier movement in the context of goal-setting objectives; usually and can easily be lost to sensory ability or memory. An experience of kinesthetic unfamiliarity dangerously encourages the re-selection of the old habit over possible improvements, defeating the objective of experimentation. As such, is cautioned against by Alexander teachers and this cautioning is expressed in another term: "End-gaining." If modification is desired, experimentation is recommended by Alexander rather than gaining one's end by familiar means, choosing the new criteria of efficiency or effortlessness over familiarity.

How habits may be stopped, refined or well-formed is reflected in Alexander's specialized use of the word "Inhibition" and "Direction." Although in the works of Sigmund Freud the term inhibition refers to a holding of the libido in check; in the Alexander Technique, the same word has quite a different meaning: "inhibition" is a moment of conscious awareness that interrupts a habitual pattern of muscular misuse and stablishes instead a new use of the self based on the means-whereby a Head-Neck-Back relationships is stablished known as the HBN Pattern.[3]

[edit] Benefits

Applications are subjective by nature; many testimonies exist on the Internet. Alexander Technique is regarded to be a helpful adjunct to traditional medical treatment regimens and not as a substitute.

Some regard the Alexander Technique as a first-hand experience of the reality of body/mind unity. Proponents believe that its practice results in improved awareness and descriptive ability, as well as improved ease of movement, improved balance, stamina and less muscular tension. Additionally, those who practice it often report that Alexander Technique gives them an enhanced ability to clarify their thinking, gain objectivity about themselves and free themselves from unintentional self-imposed limitations. Further, proponents see Alexander Technique as a way to use less effort for movement and thus perform more efficiently, feeling younger and moving gracefully.

It is curriculum in performance schools of dance[4], acting, circus, music, voice and some athletic training[5]. Suitable for those starting at any fitness level, it is also used as remedial movement education to complete recovery and provide pain management.

Although the Alexander Technique is considered by those in its field to be primarily educational—taught in a student/teacher relationship as compared to being a treatment regimen between client and practitioner—it is regarded by the United Kingdom National Health Service to offer an alternative and complementary management for many medical complaints. A partial list is: back problems, unlearning and avoiding Repetitive Strain Injury, improving ergonomics, stuttering, speech training and voice loss, coping with mobility for those with Parkinson's disease, posture or balance problems, or to complete recovery from injury as an adjunct to Physical therapy.

Alexander Technique has also been known to help performers with getting past the plateau effect (despite trying, no improvement), performance anxiety, getting beyond a supposed "lack of talent" and to sharpen discrimination and descriptive ability. It has also helped people control unwanted reactions, phobias and depression.

Reported Effects: Evidence of change is sought in verifiable outside feedback; using a mirror; by noting, comparing, or describing differences of the relative location of one's eyes, balance or weight changes; a change in the sound of one's voice or the effects on one’s objectives, props or environment.

Students often describe the immediate effect of an Alexander lesson as being an unfamiliar feeling of lightness or expansion. During hands-on lessons, most pupils report an immediate result of feeling less weighted down, despite their inability to evoke or sustain this state by themselves. Other reported experiences include altered perception of their voice or environment, noticing a change in self image, or having temporary disorientations of where their body is located spatially.

Gertrude Stein's brother Leo called the Technique: "the method for keeping your eye on the ball applied to life".[6]

The English novelist Aldous Huxley was strongly influenced by F. M. Alexander and the Technique so much so that he included him as a character in the pacifist theme novel Eyeless in Gaza published in 1936. [7]

The American philosopher and educator John Dewey was very favorably impressed by F. M. Alexander and the Technique. In 1923, Dewey wrote the introduction to Alexander's magnum opus Constructive Conscious Control of the Individual.[8]

[edit] Disadvantages

Alexander Technique may not be effective for everyone. Most teachers consider twenty to forty lessons to be required. Learning requires the student to work at a somewhat paradoxical goal that is, at first, based on the teacher's (or classmates') perception of success. In rare occasions, undoing old habits may trigger possibly unpleasant "unresolved" emotions that originally were the basis for the development of the subject's habitual remedies. Through release of these habitual remedies, an adjustment of other facets of the person may be necessary - sometimes involving medical practictioners.

Practising Alexander Technique cannot affect structural deformities (such as arthritis or other bone problems), or other diseases, (such as Parkinson's, etc.) In these cases, Alexander Technique can only mitigate how the person compensates for these difficulties, which can be significant for them.

[edit] Scientific Evidence

The effectiveness of the Alexander Technique has not been thoroughly verified in peer-reviewed scientific journals. Lengthy learning time seems to be a drawback in testing for short term results. In 1999, Dennis ran a controlled study of the effect of AT on the "Functional Reach" (associated with balance) of women older than 65 arguing for a significant improvement in performance.[9]. In 2005 Cacciatore et al. found the technique improved a single patient's posture thereby reducing their lower back pain.[10] Further, in 2004 Maher concluded that "Physical treatments, such as ... Alexander technique ... are either of unknown value or ineffective and so should not be considered" when treating lower back pain with an evidence-based approach.[11] Finally, in 2002, Stalibrass et al. published the results of a significant controlled study into the effectiveness of the technique in treating Parkinson's disease. Four different measures were used to assess the change in severity of the disease. By all four measures, Alexander Technique was better than no treatment, to a statistically significant degree (both P-values < 0.04). However, when compared to a control group given massage sessions, Alexander technique was only significantly better by two of the measures. The other two measures gave statisticially insignificant improvements (P-values of approximately 0.1 and 0.6). This appears to lend some weight to the effectiveness of the Technique, but more studies and data are required.[12]

Finally, while there is an abundance of anecdotal evidence which suggests that AT instruction contributes to improved vocal quality and vocal health (including its apparent success in treating the vocal health issues of its creator, Alexander), only two studies of AT use with voice were found[13],[14], neither of which were published in peer-reviewed journals. In both, there was an apparent attempt to measure the effects of AT on voice and to analyze some data; however, neither methodology nor statistics were provided to lend scientific credence to the interpreted results (e.g., representative sampling, control groups or blind testing) or acoustic measurements (i.e., microphone type, microphone placement, microphone directionality, recording environment, recording media – all of which could affect the spectral characteristics of the recording). Thus, while both studies may report actual effects, one cannot have confidence that they demonstrate anything more than possibly placebo improvements without the inclusion of carefully designed methodologies, legitimate metrics or statistical analysis.

Frank Pierce Jones' articles detailing his research have been collected in a 1997 edition, detailed in references below.

[edit] See also

[edit] Notes

  1. ^ Arnold, Joan; Hope Gillerman (1997). Frequently Asked Questions. American Society for the Alexander Technique. Retrieved on 2007-05-02.
  2. ^ Rootberg, Ruth (September 2007). "Voice and Gender and other contemporary issues in professional voice and speech training". Voice and Speech Review, Voice and Speech Trainers Association, Inc, Cincinnati, OH: 164-170. 
  3. ^ McEvenue, Kelly (2002). The Actor and the Alexander Technique, 1st Palgrave Macmillan ed, New York: Macmillan, p. 14. ISBN 0312295154. 
  4. ^ Aronson, AE (1990). Clinical Voice Disorders: An Interdisciplinary Approach,. 
  5. ^ Vigeland, C (December 2000). "The Answer to a Stress Test". Sports Illustrated Golf Plus. 
  6. ^ Michael J. Gelb Body Learning - An Introduction to the Alexander Technique, p. 2, Macmillan, 1996 ISBN: 0805042067
  7. ^ Aldous Huxley Eyeless in Gaza, Harper and Brothers, 1936, ISBN-10: BOOOPONQNS
  8. ^ F. M. Alexander, Constructive Conscious Control of the Individual, E. P. Dutton & Co., 1923 ISBN 0-913111-11-2
  9. ^ Dennis, RJ (1999). "Functional reach improvement in normal older women after Alexander Technique instruction". Journals of Gerontology Series A : Biological Sciences and Medical Sciences 54 (1): M8-11. 
  10. ^ Cacciatore, TW; FB Horak, SM Henry (June 2005). "Improvement in automatic postural coordination following Alexander Technique lessons in a person with low back pain". Physical Therapy 85 (6): 565-78. 
  11. ^ Maher, CG (January 2004). "Effective physical treatment for chronic low back pain". The Orthopedic clinics of North America 35 (1): 57-64. doi:10.1016/S0030-5898(03)00088-9. ISSN 0030-5898. 
  12. ^ Stallibrass, C; P Sissons, C Chalmers (July 2002). "Randomized Controlled Trial of the Alexander Technique for Idiopathic Parkinson's Disease". Clinical Rehabilitiation 16 (7): 695-708. 
  13. ^ Jones, FP (1987). Body Awareness in Action: A Study of the Alexander Technique. 
  14. ^ Harris, C; S Pehrson (1993). "Using the Alexander Technique in Voice Therapy". Speech and Language Therapy in Practice 2 (3): 565-78. 

[edit] References

  • Alexander, F. Matthias (1932). The Use of Self, 1985 Edition, London: Orion Books Limited. ISBN 0752843915. 
  • Jones, Frank Pierce (May 1997). Freedom to Change; The Development and Science of the Alexander Technique. London: Mouritz. ISBN 0-9525574-7-9. 
  • Jones, Frank Pierce (1999). in ed. Theodore Dimon, Richard Brown: Collected Writings on the Alexander Technique. Massachusetts: Alexander Technique Archives. ISBN ATBOOKS058.